Showing posts with label The Cool. Show all posts
Showing posts with label The Cool. Show all posts

Thursday, September 04, 2008

Money, Power, Respect; In the Key of Life


I'm reading Real Punks Don't Wear Black (Frank Kogan) , trying to strain from it the key to being both a good writer, and discover what writers look for in good music- the ever important essence of music. The reason I'm enjoying it so much, is that Kogan has no better idea than I do, and cites Lester Bangs & Richard Meltzer in trying to clarify his points on "authenticity" and the real in music. I've been toying with the idea, that is supported by Kogan's musings that music is authentic as long as it speaks emphatically about power (emphatically not necessarily meaning genuinely).

"Great rock thrives on insecurity." Or so Kogan paraphrases, but it's really about one's insecurity about where one stands contextually to power. Do you have it? Do you want it? Do you hate it? Do you love it? James Brown was amazing in that he both conducted it, and directed us all to fight it, yet had the power to disguise struggle with funk. Likewise, punk music is powerful in its admittance to lack of power, and it refusal to acknowledge power's existence, yet is made up structurally of mostly power chords and jaring lyrics.

Friday, November 16, 2007

The Cool- Revisited

So its just snowballin from here. After the five post from yesterday alone on Lupe, now we have a tracklist. So you can make up raps in your head to pretend you can perceive what's going on to be this album. I'm hoping "Free Chilli" is about mexican penguins (it makes sense- don't judge), and that "Hello Goodbye" is not a Bealtes cover- because that could ruin Lupe for me...

Here yo go kids:
The Cool:

01 Iesha Poem
02 Free Chilly
03 Go Go Gadget Flow
04 The Coolest
05 Superstar [ft. Mathew Santos]
06 Paris Tokyo
07 High Definition [ft. Snoop Dogg and Pooh Bear]
08 Little Weapons
09 Hip-Hop Saved My Life [ft. Nikki Jean]
10 Gold Watch
11 Street on Fire [ft. Matthew Santos]
12 Hello Goodbye
13 Gotta Eat ["Perhaps the oddest song is 'Gotta Eat', which is apparently written from the perspective of a cheeseburger and is rife with food/life metaphors."]
14 Dumb It Down [ft. Gemini and Graham Burris]
15 The Die [ft. Gemini]
16 Put You on Game
17 Fighters [ft. Matthew Santos]
18 Go Baby Go

Mo things to mention-
The album is officially slated to come out December 18th, and boast production from Fall Out Boy singer Patrick Stump(GAH!), UNKLE, Chris & Drop, and Soundtrakk.

Also- word is that The Cool suggests that after this album, there will be one more release titled L.U.P.N., then Lupe's done with the game. But no more on that till an interview drops or the album is analyzed.

Thursday, November 15, 2007

Yes... He Was Still Fresh To Death


After reading up more on Lupe's The Cool, I has ascertained that if you don't know what you're getting yourself into, this is gonna crack any mental processing you may have once been proud of. So you need some back story to properly prep you, and to prevent any brain from oozing from your cranial orifices.

On 2006's Food & Liquor, there was a track called "The Cool", which was a metaphoric tale of ghetto ills. The main character was essentially a hip-hop zombie that refused to die. Peep lyrics to catch up some.

Flash-forward to the album of the same name, and you have this image fleshed out, with complete metaphoric characters personifying unique aspects of our beloved hood. I've said in confidence what I feel confident of saying now- Lupe may be our new Nas, more evolved, and with a distance from the appeal of involvement in underhanded dealing. I'll include an explanation of each character on the album, provided by child rebel solider.

Lupe Fiasco’s The Cool - Cast of Characters

Lupe Fiasco (star/narrator/writer/director)
Born: 1982
Birthplace: Chicago, Illinois

Biography: Born Wasalu Muhammad Jaco, Lupe Fiasco is a rarity in today’s record industry – an artist more concerned with creating timeless, not timely, music. After years of false-starting label deals and mixtape dominance, Fiasco broke through the mainstream’s shield in early 2006 with “Kick Push,” a breezy skateboarder’s ballad that only hinted at his lyrical wizardry. Such verbal gifts became crystal clear on his critically lauded debut, Lupe Fiasco’s Food & Liquor. Having brushed with fame while admirably maintaining his integrity, Fiasco is now taking his substance-over-style approach to new, conceptual levels on his sophomore effort, Lupe Fiasco’s The Cool.

Cool Points
- In 2005, Fiasco delivered a scene-stealing verse on Kanye West’s hit single, “Touch The Sky.”
- Fiasco was nominated for three Grammy Awards—Best Rap Solo Performance (“Kick Push”); Best Rap Song (“Kick Push”); and Best Rap Album (Lupe Fiasco’s Food & Liquor).
- In addition to the Grammys, Fiasco was also honored at the 2007 BET Awards (Best New Artist nomination) and 2007 Soul Train Awards (Best New R&B/Soul or Rap New Artist nomination for “I Gotcha”).
- His most nominations came at the 2007 BET Hip Hop Awards: Hip Hop CD of the Year (Lupe Fiasco’s Food & Liquor); Hip Hop Video of the Year (“Kick Push”); Rookie of the Year; and Element Award – Lyricist of the Year.
- Through Atlantic Records, his homebase, Fiasco launched his own company, 1st & 15th Entertainment. His first artist (outside of his own projects) will be Gemini.
- In January 2006, Fiasco signed a deal with Reebok. As part of the footwear/apparel company’s “O.G.” campaign, he designed his own sneaker.
- GQ Magazine named Fiasco as the “Breakout Man of the Year” for 2006.

Michael Young History
Born: March 2006
Birthplace: Every Hood, USA

Biography: Since his early childhood days, Michael Young History was conflicted. Raised by a single, hard-working mother, History never really knew his father, a man who abandoned both History and his baby sister. This lack of paternal guidance turned an otherwise intelligent, promising boy into a drug-selling, money-grubbing Scarface-wannabe. Starting off as merely a petty crook, History’s torrid affair with his mentor’s (Game) wife, The Streets, sent him on a downward spiral of greed, deception, and, ultimately, death.

Cool Point
- An unabashed atheist, History anointed his own “holy trinity”—himself, Streets and The Cool.

The Cool
Resurrected: Amongst the undead since September 2006
Birthplace: Six feet under the Earth’s surface

Biography: The Cool is the physical manifestation of History’s debt to humanity. Payback for every user abused and every family torn apart by History, The Cool walks amongst the living as a zombie. “He” – that term used lightly, considering The Cool isn’t human – reeks of death, an ironic contrast to his polished three-piece-suit appearance. Searching for his purpose, The Cool haunts The Streets.

Cool Points
- His only possessions—two diamond earrings, a gold chain, and a letter from History’s eight-year-old sister.
- Despite the long-finished settling of rigor mortis, the sharp sensation of three bullets constantly causes aching in The Cool.
- Only one thought plays in his head like a broken record – “Hustler for death, no heaven for a gangster.”

The Game
Born: Given life the moment the snake suckered Adam and Eve
Birthplace: The Garden of Eden

Biography: An immortal, soulless entity, The Game scours city blocks and country landscapes with equal menace. Scheming from morning until night, he changes targets like the wind – hustlers, politicians, celebrities, and impressionable youth have all succumbed to his charms. His most valued accomplice is his wife, The Streets. Together, this “Bonnie and Clyde” duo have affected the lives of every man, woman, and child. The victim closest to their affections, however, was Michael Young History, a tortured man seeking acceptance through fame and fortune. Of course, nothing from The Game comes without a price.

Cool Points
- Quite convincing, his foolproof method of touching minds is through blunt fingertips.
- Through his wire-tapped ears, he’s able to hear the approaching of any enemy.
- When not hovering over common society, he lives behind bars, plotting ways to see his son, Heroine, and secretly conversing with his marital lover, The Streets.
- Despite carrying out such heartless actions, The Game does have a blood-pumping system – an amplified system pumping beats through woofer-like veins.

The Streets
Born: Conceived thousands of years ago, when the first paths and roads were paved.
Birthplace: Unknown

Biography: A temptress like none other, The Streets possesses an uncanny knack for seduction and betrayal. An equal opportunity heartbreaker, she exudes an allure irresistible to both men and women. Some have accused her of pedophilia, having lured people into her tangled web at ages as immature as eight years old. The word “love” isn’t in her vocabulary –although The Game is her admitted soulmate. Yet, The Streets has always felt a peculiarly strong connection with Michael Young History.

Cool Points
- Often referred to by her condemners as a “demon in a dress.”
- No stranger to loss, she’s tattooed the names of her murdered ex-boyfriends across her breasts.
- Her ambitions are clear upon eye contact, with dollar signs in the place of her pupils.
- Witnesses to History’s slaying reported seeing brown, almost Hennessy-colored tears roll down The Streets.

Wednesday, November 14, 2007

The Cool


I've talked at length about 8 Diagrams, and now I'm speaking tons about the Big Doe Rehab. To complete the "must cop" list for 2007, I must add Lupe Fiasco's sophomore effort, The Cool. If you hit up the web page for Mr. FnF (First n' Fifteenth for those not "down") you'll be greeted by:

"Demon in a dress, dollar signs in her eyes's. They say the Game has the belly of the beast, blunts for fingers and hollow tips for teeth. Hustler for death, No heaven for a gangster..."


Then all that follows is that the album may or may not be released on November 20th. After a little fact checking, it seems December 18th is the true date, so I suppose its cool to keep us beloved fans in the dark. If you head to the website you can get a listen of the single "Superstar", which I'm sure you've all heard by now anyway. Other than that, Lupe's web presence is a little lacking.

Whether the end of November or early December, this release shall end out the drool worthy albums of '07. I mean we're still waiting on a Localized Phenomenon album, but that's a completely different league. So keep tight, eyes peeled, and your grip in hand. The end of 2007 is gonna be worth tossin down a stack for.